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CentOS 7.0 - man page for flac (centos section 1)

FLAC(1) 										  FLAC(1)

       flac - Free Lossless Audio Codec

       flac  [	OPTIONS  ]  [ infile.wav | infile.rf64 | infile.aiff | infile.raw | infile.flac |
       infile.oga | infile.ogg | - ... ]

       flac [ -d | --decode | -t | --test | -a	|  --analyze  ]  [  OPTIONS  ]	[  infile.flac	|
       infile.oga | infile.ogg | - ... ]

       flac is a command-line tool for encoding, decoding, testing and analyzing FLAC streams.

       A summary of options is included below.	For a complete description, see the HTML documen-

       -v, --version
	      Show the flac version number

       -h, --help
	      Show basic usage and a list of all options

       -H, --explain
	      Show detailed explanation of usage and all options

       -d, --decode
	      Decode (the default behavior is to encode)

       -t, --test
	      Test a flac encoded file (same as -d except no decoded file is written)

       -a, --analyze
	      Analyze a FLAC encoded file (same as -d except an analysis file is written)

       -c, --stdout
	      Write output to stdout

       -s, --silent
	      Silent mode (do not write runtime encode/decode statistics to stderr)

	      Do not print anything of any kind, including warnings or	errors.   The  exit  code
	      will be the only way to determine successful completion.

	      Do  not  convert tags from local charset to UTF-8.  This is useful for scripts, and
	      setting tags in situations where the locale is  wrong.   This  option  must  appear
	      before any tag options!

       -w, --warnings-as-errors
	      Treat  all  warnings  as errors (which cause flac to terminate with a non-zero exit

       -f, --force
	      Force overwriting of output files.  By default, flac warns  that	the  output  file
	      already exists and continues to the next file.

       -o filename, --output-name=filename
	      Force  the output file name (usually flac just changes the extension).  May only be
	      used when encoding a single file.  May not be used in  conjunction  with	--output-

	      Prefix  each output file name with the given string.  This can be useful for encod-
	      ing or decoding files to a different directory.  Make sure if your string is a path
	      name that it ends with a trailing `/' (slash).

	      Automatically  delete the input file after a successful encode or decode.  If there
	      was an error (including a verify error) the input file is left intact.

	      Output files have their timestamps/permissions set to match those of  their  inputs
	      (this is default).  Use --no-preserve-modtime to make output files have the current
	      time and default permissions.

	      If encoding, save WAVE, RF64, or AIFF non-audio chunks in FLAC metadata.	If decod-
	      ing, restore any saved non-audio chunks from FLAC metadata when writing the decoded
	      file.  Foreign metadata cannot be transcoded, e.g. WAVE chunks saved in a FLAC file
	      cannot  be  restored when decoding to AIFF.  Input and output must be regular files
	      (not stdin or stdout).

	      Skip over the first number of samples of the input.  This works for  both  encoding
	      and  decoding, but not testing.  The alternative form mm:ss.ss can be used to spec-
	      ify minutes, seconds, and fractions of a second.

	      Stop at the given sample number for each input file.  This works for both  encoding
	      and  decoding,  but  not	testing.   The given sample number is not included in the
	      decoded output.  The alternative form mm:ss.ss can be used to specify minutes, sec-
	      onds,  and  fractions  of  a second.  If a `+' (plus) sign is at the beginning, the
	      --until point is relative to the --skip point.  If a `-' (minus)	sign  is  at  the
	      beginning, the --until point is relative to end of the audio.

       --ogg  When  encoding,  generate Ogg FLAC output instead of native FLAC.  Ogg FLAC streams
	      are FLAC streams wrapped in an Ogg transport layer.  The resulting file should have
	      an '.oga' extension and will still be decodable by flac.

	      When decoding, force the input to be treated as Ogg FLAC.  This is useful when pip-
	      ing input from stdin or when the filename does not end in '.oga' or '.ogg'.

	      When used with --ogg, specifies the serial number to use for  the  first	Ogg  FLAC
	      stream, which is then incremented for each additional stream.  When encoding and no
	      serial number is given, flac uses a random number for the first stream, then incre-
	      ments  it  for  each additional stream.  When decoding and no number is given, flac
	      uses the serial number of the first page.

	      Includes the residual signal in the analysis file.  This will make  the  file  very
	      big, much larger than even the decoded file.

	      Generates  a  gnuplot  file for every subframe; each file will contain the residual
	      distribution of the subframe.  This will create a lot of files.

	      Set the beginning and ending cuepoints to decode.  The optional first  #.#  is  the
	      track and index point at which decoding will start; the default is the beginning of
	      the stream.  The optional second #.# is the track and index point at which decoding
	      will  end;  the  default is the end of the stream.  If the cuepoint does not exist,
	      the closest one before it (for the start point) or after it  (for  the  end  point)
	      will  be used.  If those don't exist, the start of the stream (for the start point)
	      or end of the stream (for the end point) will be used.  The  cuepoints  are  merely
	      translated  into	sample	numbers  then used as --skip and --until.  A CD track can
	      always be cued by, for example, --cue=9.1-10.1 for track 9, even if the CD  has  no
	      10th track.

       -F, --decode-through-errors
	      By default flac stops decoding with an error and removes the partially decoded file
	      if it encounters a bitstream error.  With -F, errors are	still  printed	but  flac
	      will continue decoding to completion.  Note that errors may cause the decoded audio
	      to be missing some samples or have silent sections.

	      Applies ReplayGain values while decoding.


	      The equals sign and <specification> is optional.	If omitted, the default is 0aLn1.

	      The <specification> is a shorthand notation for describing how to apply ReplayGain.
	      All components are optional but order is important.  '[]'  means	'optional'.   '|'
	      means 'or'.  '{}' means required.  The format is:


	      preamp A floating point number in dB.  This is added to the existing gain value.

	      a|t    Specify  'a'  to  use the album gain, or 't' to use the track gain.  If tags
		     for the preferred kind (album/track) do not exist but  tags  for  the  other
		     (track/album) do, those will be used instead.

	      l|L    Specify  'l'  to peak-limit the output, so that the ReplayGain peak value is
		     full-scale.  Specify 'L' to use a 6dB hard limiter that kicks  in	when  the
		     signal approaches full-scale.

		     Specify the amount of noise shaping.  ReplayGain synthesis happens in float-
		     ing point; the result is dithered before converting back to  integer.   This
		     quantization  adds  noise.   Noise shaping tries to move the noise where you
		     won't hear it as much.  0 means no noise shaping, 1  means  'low',  2  means
		     'medium', 3 means 'high'.

       For  example,  the  default of 0aLn1 means 0dB preamp, use album gain, 6dB hard limit, low
       noise shaping.

       --apply-replaygain-which-is-not-lossless=3 means 3dB preamp, use album gain, no	limiting,
       no noise shaping.

       flac uses the ReplayGain tags for the calculation.  If a stream does not have the required
       tags or they can't be parsed, decoding will continue with a warning, and no ReplayGain  is
       applied to that stream.

       -V, --verify
	      Verify  a  correct encoding by decoding the output in parallel and comparing to the

       --lax  Allow encoder to generate non-Subset files.  The resulting FLAC  file  may  not  be
	      streamable  or  might have trouble being played in all players (especially hardware
	      devices), so you should only use this option in combination  with  custom  encoding
	      options meant for archival.

	      Calculate  ReplayGain  values  and  store them as FLAC tags, similar to vorbisgain.
	      Title gains/peaks will be computed for each input file, and an album gain/peak will
	      be  computed  for all files.  All input files must have the same resolution, sample
	      rate, and number of channels.  Only mono and stereo files are allowed, and the sam-
	      ple  rate  must  be one of 8, 11.025, 12, 16, 22.05, 24, 32, 44.1, or 48 kHz.  Also
	      note that this option may leave a few extra bytes in a PADDING block as  the  exact
	      size of the tags is not known until all files are processed.  Note that this option
	      cannot be used when encoding to standard output (stdout).

	      Import the given cuesheet file and store it in a	CUESHEET  metadata  block.   This
	      option may only be used when encoding a single file.  A seekpoint will be added for
	      each index point in the cuesheet to the SEEKTABLE  unless  --no-cued-seekpoints  is

	      Import a picture and store it in a PICTURE metadata block.  More than one --picture
	      command can be specified.  Either a filename for the picture file or  a  more  com-
	      plete  specification  form  can be used.	The SPECIFICATION is a string whose parts
	      are separated by | (pipe) characters.  Some parts  may  be  left	empty  to  invoke
	      default  values.	 FILENAME  is  just  shorthand for "||||FILENAME".  The format of


	      TYPE is optional; it is a number from one of:

	      0: Other

	      1: 32x32 pixels 'file icon' (PNG only)

	      2: Other file icon

	      3: Cover (front)

	      4: Cover (back)

	      5: Leaflet page

	      6: Media (e.g. label side of CD)

	      7: Lead artist/lead performer/soloist

	      8: Artist/performer

	      9: Conductor

	      10: Band/Orchestra

	      11: Composer

	      12: Lyricist/text writer

	      13: Recording Location

	      14: During recording

	      15: During performance

	      16: Movie/video screen capture

	      17: A bright coloured fish

	      18: Illustration

	      19: Band/artist logotype

	      20: Publisher/Studio logotype

	      The default is 3 (front cover).  There may only be one picture each of type 1 and 2
	      in a file.

	      MIME-TYPE  is optional; if left blank, it will be detected from the file.  For best
	      compatibility with players, use pictures with MIME type  image/jpeg  or  image/png.
	      The  MIME  type  can  also  be --> to mean that FILE is actually a URL to an image,
	      though this use is discouraged.

	      DESCRIPTION is optional; the default is an empty string.

	      The next part specfies the resolution and color information.  If the  MIME-TYPE  is
	      image/jpeg,  image/png, or image/gif, you can usually leave this empty and they can
	      be detected from the file.  Otherwise, you must specify the width in pixels, height
	      in  pixels, and color depth in bits-per-pixel.  If the image has indexed colors you
	      should also specify the number of colors used.  When manually specified, it is  not
	      checked against the file for accuracy.

	      FILE is the path to the picture file to be imported, or the URL if MIME type is -->

	      For example, "|image/jpeg|||../cover.jpg" will embed the JPEG file at ../cover.jpg,
	      defaulting to type 3 (front cover) and an empty description.   The  resolution  and
	      color info will be retrieved from the file itself.

	      The  specification  "4|-->|CD|320x300x24/173|http://blah.blah/backcover.tiff"  will
	      embed the given URL, with type 4 (back cover), description  "CD",  and  a  manually
	      specified  resolution  of  320x300, 24 bits-per-pixel, and 173 colors.  The file at
	      the URL will not be fetched; the URL itself  is  stored  in  the	PICTURE  metadata

	      Align encoding of multiple CD format files on sector boundaries.	See the HTML doc-
	      umentation for more information.	This option is DEPRECATED and may  not	exist  in
	      future versions of flac.

	      When  encoding  to  flac,  ignore  the  file  size headers in WAV and AIFF files to
	      attempt to work around problems with over-sized or malformed files.

	      WAV and AIFF files both have an unsigned 32 bit numbers in the  file  header  which
	      specifes the length of audio data. Since this number is unsigned 32 bits, that lim-
	      its the size of a valid file to being just over 4 Gigabytes. Files larger than this
	      are mal-formed, but should be read correctly using this option.

       -S {#|X|#x|#s}, --seekpoint={#|X|#x|#s}
	      Include  a  point  or  points in a SEEKTABLE.  Using #, a seek point at that sample
	      number is added.	Using X, a placeholder point is added at the end of a the  table.
	      Using  #x,  # evenly spaced seek points will be added, the first being at sample 0.
	      Using #s, a seekpoint will be added every # seconds (# does not have to be a  whole
	      number;  it  can be, for example, 9.5, meaning a seekpoint every 9.5 seconds).  You
	      may use many -S options; the resulting SEEKTABLE will be the unique-ified union  of
	      all  such  values.   With no -S options, flac defaults to '-S 10s'.  Use --no-seek-
	      table for no SEEKTABLE.  Note: '-S #x' and '-S #s' will not  work  if  the  encoder
	      can't  determine	the input size before starting.  Note: if you use '-S #' and # is
	      >= samples in the input, there will be either no seek point entered (if  the  input
	      size  is determinable before encoding starts) or a placeholder point (if input size
	      is not determinable).

       -P #, --padding=#
	      Tell the encoder to write a PADDING metadata block of the given length  (in  bytes)
	      after  the STREAMINFO block.  This is useful if you plan to tag the file later with
	      an APPLICATION block; instead of having to rewrite the entire file  later  just  to
	      insert  your  block,  you can write directly over the PADDING block.  Note that the
	      total length of the PADDING block will be 4 bytes  longer  than  the  length  given
	      because  of  the	4 metadata block header bytes.	You can force no PADDING block at
	      all to be written with --no-padding.  The encoder writes a PADDING  block  of  8192
	      bytes  by default (or 65536 bytes if the input audio stream is more that 20 minutes

	      Add a FLAC tag.  The comment must adhere to the Vorbis comment spec; i.e. the FIELD
	      must  contain  only legal characters, terminated by an 'equals' sign.  Make sure to
	      quote the comment if necessary.  This option may appear more than once to add  sev-
	      eral comments.  NOTE: all tags will be added to all encoded files.

	      Like  --tag,  except FILENAME is a file whose contents will be read verbatim to set
	      the tag value.  The contents will be converted to UTF-8  from  the  local  charset.
	      This   can   be	used   to   store   a	cuesheet  in  a  tag  (e.g.   --tag-from-
	      file="CUESHEET=image.cue").  Do not try to store binary data in  tag  fields!   Use
	      APPLICATION blocks for that.

       -b #, --blocksize=#
	      Specify  the block size in samples.  Subset streams must use one of 192, 576, 1152,
	      2304, 4608, 256, 512, 1024, 2048, 4096 (and 8192 or 16384 if  the  sample  rate  is

       -m, --mid-side
	      Try mid-side coding for each frame (stereo input only)

       -M, --adaptive-mid-side
	      Adaptive mid-side coding for all frames (stereo input only)

       -0..-8, --compression-level-0..--compression-level-8
	      Fastest  compression..highest  compression (default is -5).  These are synonyms for
	      other options:

	      -0, --compression-level-0
		     Synonymous with -l 0 -b 1152 -r 3

	      -1, --compression-level-1
		     Synonymous with -l 0 -b 1152 -M -r 3

	      -2, --compression-level-2
		     Synonymous with -l 0 -b 1152 -m -r 3

	      -3, --compression-level-3
		     Synonymous with -l 6 -b 4096 -r 4

	      -4, --compression-level-4
		     Synonymous with -l 8 -b 4096 -M -r 4

	      -5, --compression-level-5
		     Synonymous with -l 8 -b 4096 -m -r 5

	      -6, --compression-level-6
		     Synonymous with -l 8 -b 4096 -m -r 6

	      -7, --compression-level-7
		     Synonymous with -l 8 -b 4096 -m -e -r 6

	      -8, --compression-level-8
		     Synonymous with -l 12 -b 4096 -m -e -r 6

       --fast Fastest compression.  Currently synonymous with -0.

       --best Highest compression.  Currently synonymous with -8.

       -e, --exhaustive-model-search
	      Do exhaustive model search (expensive!)

       -A function, --apodization=function
	      Window audio  data  with	given  the  apodization  function.   The  functions  are:
	      bartlett,  bartlett_hann,  blackman,  blackman_harris_4term_92db,  connes, flattop,
	      gauss(STDDEV),  hamming,	hann,  kaiser_bessel,	nuttall,   rectangle,	triangle,
	      tukey(P), welch.

	      For gauss(STDDEV), STDDEV is the standard deviation (0<STDDEV<=0.5).

	      For  tukey(P), P specifies the fraction of the window that is tapered (0<=P<=1; P=0
	      corresponds to "rectangle" and P=1 corresponds to "hann").

	      More than one -A option (up to 32) may be used.  Any  function  that  is	specified
	      erroneously  is  silently  dropped.   The  encoder chooses suitable defaults in the
	      absence of any -A options; any -A option specified replaces the default(s).

	      When more than one function is specified, then for every subframe the encoder  will
	      try each of them separately and choose the window that results in the smallest com-
	      pressed subframe.  Multiple functions can greatly increase the encoding time.

       -l #, --max-lpc-order=#
	      Specifies the maximum LPC order. This number must be <= 32. For Subset streams,  it
	      must  be	<=12  if  the  sample rate is <=48kHz. If 0, the encoder will not attempt
	      generic linear prediction, and use only fixed predictors. Using fixed predictors is
	      faster but usually results in files being 5-10% larger.

       -p, --qlp-coeff-precision-search
	      Do  exhaustive  search  of LP coefficient quantization (expensive!).  Overrides -q;
	      does nothing if using -l 0

       -q #, --qlp-coeff-precision=#
	      Precision of the quantized linear-predictor coefficients, 0 => let  encoder  decide
	      (min is 5, default is 0)

       -r [#,]#, --rice-partition-order=[#,]#
	      Set  the	[min,]max residual partition order (0..16). min defaults to 0 if unspeci-
	      fied.  Default is -r 5.

	      Set the byte order for samples

	      Set number of channels.

	      Set bits per sample.

	      Set sample rate (in Hz).

	      Set the sign of samples (the default is signed).

	      Specify the size of the raw input in bytes.  If you are encoding raw  samples  from
	      stdin,  you  must  set  this  option  in	order  to be able to use --skip, --until,
	      --cuesheet, or other options that need to know the size of  the  input  beforehand.
	      If  the  size  given is greater than what is found in the input stream, the encoder
	      will complain about an unexpected end-of-file.  If the size given is less,  samples
	      will be truncated.

	      Force  input (when encoding) or output (when decoding) to be treated as raw samples
	      (even if filename ends in .wav).

	      Force the decoder to output AIFF format.	This option is not needed if  the  output
	      filename	(as  set by -o) ends with .aif or .aiff.  Also, this option has no effect
	      when encoding since input AIFF is auto-detected.

	      Force the decoder to output RF64 format.	This option is not needed if  the  output
	      filename	(as  set  by  -o)  ends with .rf64.  Also, this option has no effect when
	      encoding since input RF64 is auto-detected.

	      Force the decoder to output Wave64 format.  This option is not needed if the output
	      filename	(as  set  by  -o)  ends  with .w64.  Also, this option has no effect when
	      encoding since input Wave64 is auto-detected.





















	      These flags can be used to invert the sense of the corresponding normal option.


       The  programs  are  documented  fully  by  HTML	 format   documentation,   available   in
       /usr/share/doc/libflac-doc/html on Debian GNU/Linux systems.

       This  manual  page was written by Matt Zimmerman <mdz@debian.org> for the Debian GNU/Linux
       system (but may be used by others).

					    2013/04/30					  FLAC(1)

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